With some work, it could have been something special, but producer Moustapha Akkad felt the idea was too cerebral and wanted Michael as a flesh and blood killer. The psychological elements are bolted on to a bland story of dumb teens getting drunk and slaughtered and the finale feels abrupt. This take on Halloween IV has intriguing ideas and setpieces, but the script needed work. He goes on a rampage at the drive-in – which happens to be showing Carpenter’s The Fog and Christine – and the script even throws shade at his rival Jason Voorhees, with an image of the hockey-masked killer turning to flame as Michael is framed by the burning screen. The movie finally reveals that Michael has become some kind of phantom, who is able to regrow lost fingers and withstand gunshots he even grows to 12 feet in the finale. ![]() The script also questions if Loomis’ treatment of Michael was partially responsible for his rampage, with an old videotape showing the late Doctor ranting at a young Michael during a therapy session, labelling him a monster.Įtchison’s Halloween IVplays up the mystery of whether Michael is somehow alive, or if the unseen killer is a copycat or possessed by his spirit. Lindsey’s overprotective mother tries to keep them apart they become drawn to each other. ![]() ![]() The story focuses on Tommy Doyle and Lindsey Wallace – the kids Laurie Strode babysat in the original – and while Lindsey can’t remember that night, Tommy has been scarred by it. The script primarily explores the trauma that night dealt on Haddonfield, and if it’s better to forget or to confront the horror of the past. The parents thus become furious when a drive-in theatre plans a night of horror movies on Halloween and they try to get it cancelled, but it seems this attempt to suppress Michael’s memory only serves to bring him back… Loomis remain dead following the events of Halloween I & II, and Haddonfield was so devastated by that night they banned Halloween completely. Etchison’s story would be a psychological spin on the Michael myth. They came to Carpenter and Hill once more, who would approach author Dennis Etchison to pen a draft. With the 10th anniversary of Halloween approaching in 1988, financiers felt there was life in Michael yet and wanted him back. Audiences had come to associate Halloween with Michael Myers and felt jilted by the anthology switch. While the movie has since been reassessed as an atmospheric and eerie horror tale, it was a critical and commercial dud in 1982. This resulted in Halloween III: Season of the Witch, which sees a doctor trying to stop an evil toymaker’s murderous plot. Universal requested one regardless, so Carpenter and Hill decided to make an anthology movie instead with no ties to the first two. Loomis blown to pieces so no more sequels could happen. Since Halloween had kicked off a series of profitable low-budget slasher movies – including Friday The 13th – the studio felt there was more money to mine from the property, so when Carpenter learned a sequel would happen regardless, he decided to accept the “nice sum of money” he was offered to write and produce.Ĭarpenter made sure to end Halloween II with both Michael Myers and Dr. He felt the story had been told in the original and wanted to move on to new projects. ![]() John Carpenter has made no secret of the fact he didn’t want Halloween to spawn a sequel. However, before all the recent box office success and excitement, Halloween had a tricky path to getting made, and listed below are seven Halloween sequel concepts that failed to get off the ground for a variety of reasons. And next year, Michael Myers’ knife will be raised again in the first of several announced sequels. Last year, the Halloween franchise made a splashy return when the 2018 reboot and Jamie Lee Curtis returned to the original 1978 classic and ignored everything that came in between. After nearly a decade away from the big screen, Michael Myers (aka The Shape) is having a resurgence in recent times.
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